Breaking Down Offramp – Pat Metheny and Lyle Mays’ JAMES Tempo Analysis by Meanspeed Music. Median Expected Speed, Frequency, Video link. Legal tempo Chart.

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bpm_graph_James_Taylor_psyche_song_Mark_Sanchez_NFL_76_bpm (Photo credit: meanspeed)

Based on my love of the song JAMES and the review of the same song below, I sought  to find the exact tempo and a tempo map for the song JAMES by the Pat Metheny Group. Finding nothing relevant on my searches, I did the work myself, with the family cat James sleeping through the measurements.

speed timeline map - PAT METHENY GROUP- Offramp - JAMES  - Annie Sullivan jackson-meanspeed timing diagram
speed timeline map – PAT METHENY GROUP- Offramp – JAMES – timing diagram

Meanspeed=Carlton Speed Summary
song=James
album=Offramp


composer=Pat Metheny and Lyle Mays
performer=Pat Metheny group
mean speed/median expected tempo=147.3 beat per minute
average beat=~404.7 milliseconds
File type=MPEG1, Layer 3
Channels=Stereo
extension=Mp3
sample rate=44.1–kHz
bit rate =198 kbps (VBR)
ID3 Tag=v2.3
Encoded with=Lame3.97
File Size=9.7 MB

Ian Andrew Schneider

comments courtesy of Amazon, with which this company had an implied contract to use each other’s public opinions that are well written from around the world.

Pat Metheny – Offramp CD (album) cover
OFFRAMP
Pat Metheny

Jazz Rock/Fusion
4.20 | 35 ratings
From Progarchives.com, the ultimate progressive rock music website
Fargue
5 stars This Pat Metheny Group album is in my opinion a masterpiece, and heartly recommendable to the progarchives readers. There are two Pat Metheny solos guitar , i mean in the second track “Are you going with me” with the synth-guitar, and in the sixth “James” with the canonical semi-acoustic Gibson, absolutely magnificent; “Offramp” is a tune marking the vigorously emergence of his “Colemanian”

Lyle Mays
Cover of Lyle Mays

harmonic side, and in diametrical opposition as about the atmosphere, the “nuance”, the third track entitled “Au lait”, oh! how strange it seems to me its mixture! I feel of course the brazilian flavours (the voice and the percussion of Nana Vasconcelos are a true saudade messenger), but also something else that recalls me to a 1950’s French noir-movie. The opening “Barcarole”, “Eighteen”, the final “The Bat, part 2” are worthy colours of the picture. Five stars.

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