here, there and everywhere | Matherton Harmonic Tempo Beatles | Three Dimensional Chart of the Invisible: real or not?

Here There And Everywhere -The Beatles MeanSpeeed Tempo Map 1
Here There And Everywhere -The Beatles MeanSpeeed Tempo Map 1
Here There And Everywhere -The Beatles MeanSpeeed Tempo Map 15
Here There And Everywhere -The Beatles MeanSpeeed Tempo Map 15
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Here There And Everywhere -The Beatles MeanSpeeed Tempo Map 5
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Here There And Everywhere -The Beatles MeanSpeeed Tempo Map 3
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Here There And Everywhere -The Beatles MeanSpeeed Tempo Map 10
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Here There And Everywhere -The Beatles MeanSpeeed Tempo Map 17
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Here There And Everywhere -The Beatles MeanSpeeed Tempo Map 13

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Among the various source quotes on the back cover of Here, There and Everywhere: My Life Recording the Music of The Beatles is one by David Letterman sidekick and bandleader Paul Shaffer. Lauding the book as a dream come true for Fab music scholars, he reminds readers that its author (in the recording studio at least) was that rarest of things” a true Beatles insider. “The cat was there!” Paul exclaims.

Indeed, the “cat” in question, recording engineer Geoff Emerick, was that and much more. A fixture behind the recording console for a large part of The Beatles’s career, Emerick did much to shape the ground-breaking sounds of The Beatles’s post-touring studio years (1966-1970). RevolverSgt. Pepper’s Lonely Heats Club Band and Abbey Road all benefited from the sonic innovations of the young man known as “Mr. Golden Ears” by his EMI colleagues (though reading the book one can suspect the nickname was served up with generous helpings of English taking the you-know-what).

Even today Emerick’s contributions aren’t always common knowledge. The fact that this self-effacing man’s story has been so seldom told makes Here, There and Everywhere a must read for any serious fan of The Beatles music.

 

SOURCE OF TEXT – Pop Matters http://www.popmatters.com/post/152816-here-there-and-everywhere-by-geoff-emerick-and-howard-massey/